The anime industry has seen some major changes in the past few months alone. While we don’t have clear-cut answers by any means, we still have thoughts about it based on what’s happened over the past few years, what we think will happen in the future, and what we’d like to see happen down the road

As always, updates/corrections will be added in the Pinned Comment down below.

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Chapters:
0:00 Crunchyroll x Funimation Problematic Ship
0:48 Anime dubbing money
2:42 Spring 2022 Crunchyroll Dubs
4:00 The Remote Recording Arc
6:00 Remote vs In-person recording
7:57 What do?
10:16 Conclusion

SOURCES + FURTHER READING:
The ANN Article: [ Ссылка ]
WeGotThisCovered Articles: [ Ссылка ] [ Ссылка ]
CODA/PGM Town Hall Notes: [ Ссылка ]
SAG Dubbing Agreements: [ Ссылка ]
CODA Dubbing Standards: [ Ссылка ]
The Taft-Hartley Act: [ Ссылка ]
Kamran Nikhaid’s first Union job: [ Ссылка ]
Global Voice Acting Academy Rates Guide: [ Ссылка ]
SAG-AFTRA FAQ Page [ Ссылка ]
Unofficial SAG-AFTRA literacy guide: [ Ссылка ]
Anime Going Union Twitter Spaces (uhh sorry looks like the audio’s gone but here’s the link just in case): [ Ссылка ]
Help for international VO talent: [ Ссылка ]
Thread on IATSE: [ Ссылка ]
Thread of remotely-recorded actors examples: [ Ссылка ]
Remote Accessibility: [ Ссылка ]

Narrated and co-written by Eric (@MrAJCosplay)
Edited and co-written by Abhi (@RBKapoor1)
Cartoon Cipher visual assets by @jermacattack
End-screen visuals by @MrNiesGuy

#spyxfamily #crunchyroll #crunchyrolldubs

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