Description from Thomas: Here's the telecine transfers of the filmstock/lighting tests we ran last week. I pretty much just set exposure, adjusting between our studio shoot and lounge location shoot. So the "neutral" setting on colors reveal the less saturated colors of contemporary filmstock but also the bias of the machine. I've included the notations on each shot that were recorded during class for your reference - though I think the last few b&w shots might not be recorded there. You'll note we either made a mis-judgement or a mis-calculation during our lounge shoot, as those shots are fairly overexposed and negative dense -- but as you can see I was still able to pull images off the neg -- the closest "on-the-mark" being our stop under during the bracketing (last shot on color roll). I think we should have done a few more readings in any case, but I do think the overexposure look is interesting-looking and could work depending on the context. You can see the interesting "bloom" effect that overexposure can achieve (also in our stop over during the bracket shots in b&w in the studio).

During this shoot I operated the light meter and measured for focus

Color (7213 200T Bolex cam):

00:00 Running Exposed Film
00:10 f2, 10' 9", 10mm lens (actually starts at 7 sec)
00:26 f1.6, same (actually starts at 26 sec)
00:36 f2.8, same (actually starts at 35 sec)
00:46 f2, same (no key light) (actually starts at 43 sec)
00:56 f5.6, same (no key light) (actually starts at 50 sec), f1.4, , 5'3", 25mm lens (window light only) - w/85 filter (ISO 125) (actually starts at 58 sec)
01:26 f2.8, same (window + key) - w/85 filter (ISO 125)
01:54 f2, same (window + key) - w/85 filter (ISO 125)
02:05 f4, same (window + key) - w/85 filter (ISO 125)

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