A new and more complete presentation of both CDs is being published before the release of CD -2.
The sound yarn of the unrepeated spontaneous (channeled) sound at concerts and workshops is woven with numerous ancient, forgotten or rare instruments (up to 50), with sacred and secular songs from different historic periods, social strata, cultures and peoples of the world. The musicians play rare original instruments (from Mira’s extensive collection of more than 200 instruments) as well as replicas of historic and pre-historic instruments. To perform the harmonising sound they use instruments of the past periods that were preserved as folk instruments (untempered attunement) until the Atomic Era. In addition, shaman instruments of diverse cultures are used, which generate a relaxing effect with their tone heights and attunements. Sound weaving of the melodies of the world is always enriched with pearls of the Slovene musical heritage, helping the audience become aware who they are, where they come from, and where they are in the colourful mosaic of wholeness. In the sound images of the world. In the voices of the Earth.
The vibrating sounds of the strings of bouzuki and tambouras penetrate the depths of heart and soul. They stir the emotions of Slav souls. When the mind goes silent, the river of sound flows spontaneously. The refined sounds of spirit and heart, of the Life field and the rhythms of the Earth, the stars and the Universe can be heard in the silence of trans-consciousness. Meta-sensory links become possible between musicians and their instruments, between musicians and the audience.
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Thoughts on the music and performances
of the Vedun ensemble
“Thank you… from my heart… for tonight’s
experience! Your music is enchanting and the
love you emanate is infinite.
Metka S.
“Thank you for the bouzouki
concert. It was an immense gift,
like going on a date with my soul,
like a drop of water for a thirsty
soul. I bathed in the atmosphere
of your music, nourishing my soul.
At the end of the concert I felt sorry
that those feelings couldn’t be
lived permanently.”
Andra L.
“Listening to the Vedun Ensemble’s concert for
the first time, my heart ignited immediately
and I felt blissfulness, nurtured by the glow
that was lit in my heart centre. I closed my
eyes and embarked on a journey with the
musicians who were offering me a frequency
of intense connection. Very soon I felt and saw
a channel opening on the top of my head. At
that point freedom revealed itself. Through
the open channel I once again found, saw and
understood freedom. I only need to keep this
channel open and be the channel myself, then
I will be free, these were my thoughts.”
Karakuma S.
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Mira Omerzel ‒ Mirit (PhD in ethnomusicology) is a collector and researcher of pre-classical and folk musical instruments, particularly of Slovene instruments. Her PhD thesis focused on the development of those instruments, which she also brought to the concert stage. Mira is a pioneer of ethnoarcheomusicology and medical ethnomusicology in Slovenia, a pioneer in researching the dimensions of sound at home and abroad, a musician (originally a professional guitarist), spiritual teacher, writer and medium for Life Energy transfer and a sound energy therapist. She connects different civilisations’ knowledge of the power of sound and spirit into a unique synthesis of planetary wisdom. She has been recognised as a wisdom keeper and intercultural runner by the sages of other cultures. Her texts have been identified as sacred books for the future. In her treatises and books (especially in the series “Cosmic Telepathy or Wisdom Beyond Thoughts and the Audible Sound of the Past for the Future”) she uses words to unveil the enchantment and dimensions of sound, music and spirit.
Mirit has been researching Slovene, European and world musical and spiritual heritage for more than 40 years. Each year she visits a world’s culture and its sages. Mirit also pursues her sound mission together with Mojka Žagar, musician (pianist and singer), teacher and founder of the school for natural singing and voice nurturing, and her son Tine Omerzel Terlep, a brass musician, percussionist, singer, master of the ancient art of aliquot throat singing and shaman drumming and an engineering graduate. Since 2014, Igor Meglič, a professor of classical guitar, has been playing Greek bouzouki with Mirit and the ensemble.
Slovenian version: [ Ссылка ]
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