#dracula #vampire #bramstoker
BRAM STOKER'S DRACULA (1992)
Director: Francis Ford Coppola
Producer: Francis Ford Coppola, Fred Fuchs, Charles Mulvehill
Writer: Bram Stoker, James V. Hart
Release Date (Theaters): Nov 13, 1992 Wide
© 1992 Columbia Pictures Industries, Inc.
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Coppola’s Vampire, The Last Dracula that Counts! Is this the BEST Dracula Movie of All Time? Is Gary Oldman the Best Dracula? The Best Dracula Movie
In some ways, Francis Ford Coppola made not just the last real Dracula, 3o years ago, he made one of the last real horror movies period… ending an era of cinema, highlighted by such films as 1922’s Nosferatu and Universal’s 1931, Dracula. Coppola’ s Bram Stoker’s, however, is one of the best of its kind… and for me, the last Dracula that counts!
And yet this movie is as much about movies as it is monsters... but lest you worry, I will be getting to Gary Oldman’s generation defining performance.
So what do I mean when I say real movie? Well, this film was made in 1992, 30 years ago, using only practical effects, a decision that Coppola had to fight tooth and nail for as he fired a whole team of effects artists who, along with the studio, kept trying to persuade him to use computer generated visual effects to save time and resources, so he brought on the only person he could trust, his son, Roman Coppola, a budding magician and cinefile himself to help him shoot Dracula, all in-camera.
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Gary Oldman, Winona Ryder and Anthony Hopkins star in director Francis Ford Coppola's visually stunning, passionately seductive version of the classic Dracula legend. In BRAM STOKER'S DRACULA, Coppola returns to the original source of the Dracula myth, and from that gothic romance, he creates a modern masterpiece. Gary Oldman's metamorphosis as Dracula who grows from old to young, from man to beast is nothing short of amazing. Winona Ryder brings equal intensity to the role of a young beauty who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula, and then dares to confront him. Opulent, dazzling and utterly irresistible, this is Dracula as you've never seen him. And once you've seen BRAM STOKER'S DRACULA, you'll never forget it.
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This is a film-analysis and critique of a film’s production and the directorial execution for educational purposes that compares scenes and characters to illustrate plot-components across works of cinema. This form of criticism is in itself an original work that falls under the Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
GEAR GENERALLY USED:
CAMERAS-
Sony A7C:
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LENSES-
Sony 20mm f/1.8 G Lens:
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Sigma 16mm f/1.4:
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MONITOR-
Andycine A6 Plus V2 Touch Camera:
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MICS-
DIEITY V-Mic D4 Mini:
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Seramonic Blink 500Pro:
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LIGHTS-
GVM 80W LED:
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LeWinner RCL01 RGB Video Lights:
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TRIPOD:
K&F Concept 94 Inch Camera Tripod:
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CAGE KIT-
SmallRig: Full Cage with Silicone Side Handle for Sony A7C- 3212
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SmallRig: Mini Side Handle- 2916
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SmallRig: Top Handle- 1984
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UTEBIT: Quick Release Plate - P200
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PowerBear: Micro HDMI to HDMI Adapter Cable- (3 feet)
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SmallRig: Cold Shoe Mount Adapter Bracket- 2060
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Software-
Premiere Pro
Envato Elements
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