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Raga Jansammohini has been included in Khamaj Thaat. Apart from Komal Nishad, the rest of the swaras are used pure. Due to varjya 'Ma' in both ascension and descent, its caste is Shadav-Shadav. Singing time is the second phase of the night. . Aaroh-sa re, ga, pa, dha, ni, dha sa. Descent - Sa, ni, dha, P, G, Re, Sa.
(1) It is a raga of the Carnatic system, but has become very popular in North India.
(2) Broadly speaking, this raga has been composed by using Rishabh in Raga Kalavati.
(3) From Hindustani point of view, this raga was born from the mixture of Kalyan in its east and Jhinjhoti in Uttarang. In this Sa Re G Pa Ga Re, from Shuddha Kalyan, Sa Re Ga Pa Ga Re from Bhupali and Pa dh Ni dh Pa dha Sa, Re Sa Ni Ni dha Pa from Jhinjhauti Raga, but the use of komal nishad And by showing abundance of dhaivat, the influence of Shuddha Kalyan and Bhupali ends and Ma swara is excluded so the feeling of raga Jhinjhoti disappears.
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