With Ahed’s Knee, the rawest, most autobiographical entry in Nadav Lapid’s blistering filmography (The Kindergarten Teacher; Synonyms), the director crafts a stylized and self-lacerating portrait of an Israeli filmmaker railing at the censorship, hypocrisy, and violence of his government. Film Comment was pleased to welcome Lapid for a special Film Comment Live Talk exploring Ahed’s Knee and the questions it raises about state censorship of cinema and the political role and responsibility of the artist. Jamsheed Akrami, scholar of Iranian cinema and director of A Cinema of Discontent (2013), also joined.
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