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Breaking News in Yuba County

Whodunnit, and why, and will whoever knows get away with it — or get a close-up on TV? When her husband Karl (MATTHEW MODINE) goes missing, Sue Buttons (ALLISON JANNEY), an underappreciated suburban wife, gets a taste of being a local celebrity as she embarks on a city-wide search in small town Yuba County, California, to find him. In an effort to prolong her newfound fame, she stumbles into hilarious hijinks as her world turns upside down, dodging a wanna-be mobster (AWKWAFINA), a relentless local policewoman (REGINA HALL), her half-sister (MILA KUNIS) — a local news reporter desperate for a story — and her husband’s dead-beat brother (JIMMI SIMPSON) along with his sidekick (WANDA SYKES), who all set out to uncover the truth behind the disappearance. Directed by TATE TAYLOR (​The Help, Get On Up, Ma​), BREAKING NEWS FROM YUBA COUNTY is a dark comedy about how attention, fame, and hijinx are a real killer combo.
BREAKING NEWS IN YUBA COUNTY Directed by Tate Taylor. Screenplay by Amanda Idoko. Starring Allison Janney, Mila Kunis, Awkwafina, Regina Hall, Wanda Sykes, Juliette Lewis, Samira Wiley, Jimmi Simpson, Clifton Collins Jr., Bridget Everett, Dominic Burgess, Keong Sim, Chris Lowell, with Matthew Modine, Ellen Barkin. Produced by Franklin Leonard, Jake Gyllenhaal, Riva Marker, John Norris, Tate Taylor. Co-Producer, Cleta Ellington. Executive Producers Stuart Ford, Greg Shapiro, Miguel A. Palos, Jr., Greg Clark, Victoria Hill, Amit Pandya, Stephen Spence, Allison Janney, Amanda Idoko, Robin Mulcahy Fisichella. Casting by Kerry Barden and Paul Schnee. Costume Designer, Olga Mill. Music Supervisor, Joe Guthrie. Music by Jeff Beal. Editor, Lucy Donaldson. Production Designer, Bruce Curtis. Director of Photography, Christina Voros.
TRT: 96 min. WHERE’S KARL?
A dream ensemble brings an unforgettable group of characters to the screen in the dark, whodunnit comedy BREAKING NEWS IN YUBA COUNTY. “One of our producers, Franklin Leonard, said at one point that this is a cast of scene stealers, and that’s exactly right,” says producer John Norris with a laugh. “Everybody who’s involved in this movie, in their own way, has stolen the movie from somebody else!”
The movie they’re in has a panoramic view of chaos and criminality, and wraps around a mystery inside modern-day, small-town America — a place where our needs, wants, identities, and self-esteem are shaped by what we see on our screens, in our social network feeds, and in our neighbors’ eyes. Ethics and morals are questionable; even the truth is up for grabs. Everyone is happy with their private lives going public, even if it isn’t real.

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