Anton Webern
Variations, Op 27,
III. Ruhig fließend
Illya Filshtinskiy, piano
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I go on this semi-apologetic spiel every time we send out a work of Webern's, assuming that, even though our group name is aTonalHits, all of you out there don't have an inherent fondness for atonal music. What if you do? Am I preaching to the choir? Well, if that's the case, than enjoy the last movement of Illya playing Webern's Variations Op. 27. It's enigmatic as always, leaving us with a question mark there at the end. What comes after this?
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