Phillip Sear plays the first piece from a set of four 'Tableaux Musicaux' (1898) by the French polymath Fernand de La Tombelle (1854-1928).
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Baron [Antoine Louis Joseph Gueyrand] Fernand [Fouant] de La Tombelle (1854-1928) was born into a well-off family in Paris. His mother was a student of Liszt and Thalberg, and, although Fernand was initially destined for an administrative career, he turned to music at age 18 and studied privately with Guilmant and also at the Paris Conservatoire. His teachers there included Theodore Dubois. Fernand's principal career was as a concert organist, and he was a very active recitalist - but he also composed for the organ and in other genres, including operatic and orchestral works. He became a baron at 19 upon the shocking murder by axe of his father by intruders at his chateau. As well as being a musician, de La Tombelle was also an accomplished poet, photographer, sculptor and astronomer. He latterly lived in a chateau in the Dordogne which he had inherited from his mother's family. For much more information on his life and works, see the French language biography at: [ Ссылка ] . The score indicates that the composer arranged the piece for orchestra (and also for piano quintet) - but as the orchestrations are indicated in the score, I assume that the orchestral score came first. Certainly the somewhat manic accompanying figures in the outer sections suggest pizzicato strings and are a little awkward on the piano. The thumbnail shows part of an 1897 painting 'A Pavane' by Edwin Austin Abbey (1852–1911).
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Played by Phillip Sear
[ Ссылка ] (Email: piano4@psear.33mail.com
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