The most common application where we might see the line mixer used is in somebody who's trying to create a wet-dry-wet rig.

Typically what that means is that you would have a dry cabinet that would be accepting all of your non-time based effects.

It would be all of your overdrives, distortions, compression, equalization, maybe some modulation stuff in front of that, maybe univibes, flangers, phasers. Those would typically be in front of the amp.

As far as all of the wet processing effects, the chorus delays, reverbs, that would typically come out in the classical sense out of a line out of the dry amp and then would possibly feed a stereo chorus that would be the splitter that would go into the input of the mixer. The line mixer might incorporate delays, reverbs, and maybe pitch shifting.

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