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What is the key to product cinematography? This week we sit with commercial cinematographer and motion control supervisor Kazu Okuda who has shot spots for Elle, Vogue, Express, Omega, and a litany of product videos for brands like Dior, Hennessy, Chanel, and Oscar de la Renta.
High end product cinematography is one of the most difficult things to light. There are no happy accidents, you have only your skills and experience to make it look good. Kazu gives us some fundamental tips for creating high-end product cinematography with common filmmaking tools.
We also discuss why high-end commercial clients use motion control systems like the Bolt and how one can bring some of those techniques into their own projects.
▶ Check out my gear on Kit: [ Ссылка ]
▶ We shoot with:
Canon 1DX Mark II [ Ссылка ]
Canon 6D Mark II [ Ссылка ]
Canon EF 16–35mm f/2.8L III USM [ Ссылка ]
Sony Cyber-shot DSC-RX100 Mark V [ Ссылка ]
Zoom H5N [ Ссылка ]
Deity V-MIc D3: [ Ссылка ]
Sennheiser EW 112P G4 – A1: [ Ссылка ]
JOBY Gorillapod: [ Ссылка ]
Aerial Stock Footage:
[ Ссылка ]
PODCAST:
[ Ссылка ] (Spotify)
[ Ссылка ] (Stitcher)
[ Ссылка ] (iTunes)
INSTAGRAM: [ Ссылка ]
FACEBOOK: [ Ссылка ]
Connect with Kazu: [ Ссылка ]
Connect with Ted: [ Ссылка ]
Shout out to MINU for helping us shoot B-Roll: [ Ссылка ]
#MotionControl #RED #Cinematography
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