The Les Paul has never lost its luster. The 1958 Les Paul Standard Reissue is the product of tireless effort, technical prowess, and a fine ear for a classic tone. With historically-accurate construction methods and specifications, the Les Paul Standard Reissue is an incredibly accurate recreation of the original Les Pauls crafted in 1958.

The finish on the 1958 Les Paul Standard Reissue is a first in Gibson Custom Shop design. From the Gibson Custom Shop's newest division, the Murphy Lab, the finish on this 1958 Les Paul Standard Reissue is specially engineered to replicate the properties of Gibson's original Nitrocellulose Lacquer used in the 1950s and 1960s. Pioneered by Gibson Master Artisan Tom Murphy, this 1958 Les Paul Standard Reissue features a Light Aged finish treatment. This scientifically engineered process and finish simulates decades of light play wear that makes the guitar look and feel well-worn and well-loved from the first time it is picked up. The finish is a completely new development and gives the Les Paul Standard Reissue a new but greatly familiar look and feel.

Other features that make the 1958 Les Paul Standard Reissue a masterwork in authentic historic guitar design include a No-Wire ABR-1 bridge, a lightweight aluminum stop bar tailpiece, and aged cellulose nitrate trapezoid fret inlays. A mounted Custom Shop switch plate medallion, reissue switch backplate, and certificate of authenticity are all included with an official Gibson hardshell case. Every piece of the Gibson 1958 Les Paul Standard Reissue is fully outfitted and dressed to the nines for an authentic Gibson experience every time it is picked up and played. Altogether, the 1958 Les Paul Standard Reissue is a dream of an instrument, presented as if picked straight from 1958.

Historically accurate and tonally iconic, the 1958 Les Paul Standard Reissue readies players for a new lifetime of exceptional musical history.

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Microphones: Beyerdynamic M88, Royer R-121, Neumann U47 FET
Console: 1972 Neve 8024 24x4x2 Recording Console

Performance by: Brendan Marro
Engineered by: Nick Semanchik, Lakehouse Recording Studios
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