In which Raphael Santi's great socially prophetic "The Sixtine Conchita Wurst Madonna with Promotion Ladies and a cut price Coffee Machine" at last takes its deserved place in the Pantheon of Renaissence Art, after it had been so heiniously censored from the discerning public eye for so many unhappy centuries by malevolent anti-sausage powers in the Vatican. During Scheune Schaubudensommer 2015. The video tour gives an insight into gastronomic religious knowledge helped into the light of day by the untiring team of art historians working behind the scenes for Salon Suisse in the Schützenhaus, Stadt Wehlen, Saxon Switzerland who have identified the gastronomic-religious genre at last, to the great benefit of posterity.2

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