Originally this video was supposed to be only about the diminished chords, but I soon realized, that the dim chords per se are of little interest without the chord changes of a real blues.
In most cases the diminished chords occurs when you go from the IV chord, (which is C in a blues in G) and back to the I chord. In some cases it can also be used to combine two dominant 7 chords. Try yourself to anlyse the dimished moves in this blues.
These chord combinations are some of the most beautiful that I use, and it is such a pleasure just to play the chords per se.
The first and third turnaround are maybe sligthly more easy so you could start playing these two turnarounds. First dim shape I call a C#dim as the top note is the C#. The two others I call C# because of the root note is C#
As always, have fun! If you have questions, you are welcome to ask!
friendly greetings, Soeren

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