Here is a pedal with immense depth. I knew this was one that I was going to enjoy in particular but I had no idea what it was going to be capable of until I sat down with it. There isn't much I need to say here so lets cover the basics. I’m using the typical ground rules with this video. The details of each setting are shared below. I didn't want to try and squeeze all that into the text of the video itself. The signal goes though an amp modeler. That’s it. No post production. Lets go!

1. Voice - Glitch A
Trigger Mode - Mono
Drive - 2 o' clock
Dry - 3 o' clock
Env Shape - /
Env Time - 1 o’ clock
Dimension - 2 o’ clock
LFO Shape - /
LFO Freq - 12 o’ clock
LFO Depth- max

2. Voice - Blur 0
Trigger Mode - poly
Drive - 0
Dry - 0
Env Shape /
Env Time - Infinite
Dimension - 2 o' clock
LFO Shape - Random
LFO Freq - Noon
LFO Depth - 3 o' clock

3. Voice - Blur +/-
Trigger Mode - Poly
Drive - 9 o' clock
Dry - Min
Env Shape - /
Env Time - 1 o' clock
Dimension - Max
LFO Shape -
LFO Freq -
LFO Depth -

4. Voice - Swell B
Trigger Mode - Mono
Drive 3 o' clock
Dry - Min
Env Shape - Square
Env Time - 2 o’ clock
Dimension - Min
LFO Shape -
LFO Freq -
LFO Depth -

5. Voice - Synth A
Trigger Mode - Poly
Drive - 9 o'clock
Dry - 2 o'clock
Env Shape - /\
Env Time - ////
Dimension - Recorded Full Sweep
LFO Shape -
LFO Freq -
LFO Depth -

6. Voice - Swell A
Trigger Mode - Mono
Drive - Noon
Tone - 2 o' clock
Dry - 2 o' clock
Env Shape - \
Env Time- 9 o' clock
Dimension - Max
LFO Shape -
LFO Freq -
LFO Depth -

7. Voice - Synth B
Trigger Mode - Poly
Drive - 10 o' clock
Dry - Min
Env Shape - Sine
Env Time - 2 o’ clock
Dimension - 10 o’ clock
LFO Shape - \
LFO Freq - 1 o' clock
LFO Depth - 11 o' clock

8. Voice - Glitch B
Trigger Mode - Mono (Momentary)
Drive - 12 o' clock
Dry - Min
Env Shape - /
Env Time- 1 o' clock
Dimension - 11 o' clock
LFO Shape -
LFO Freq -
LFO Depth -

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