Alexander Payne, cinematographer Eigil Bryld, and colourist Joe Gawler took unusual steps to make THE HOLDOVERS look like a film shot in the 1970s and subsequently left in a garage to rot. What does it all mean?
Based off of my article in Filmmaker Magazine - read it here:
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Find my work here:
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NOTES:
• Typo 00:02:50 "LTR" = "LCR"
