Chris Nash's Canadian slasher film spins the genre 180° to tell an all-too-familiar story from another point-of-view, and, in doing so, tells us a lot about storytelling.
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IN A VIOLENT NATURE Deconstructs Storytelling

CHAPTERS
0:00 - Deconstructivism
1:10 - Chris Nash - Genre Savant
1:45 - In a Violent Nature
4:15 - Negative Space
5:14 - Lesson One: The Need for Traditional Storytelling
6:12 - Lesson Two: Slasher movie character tropes
8:20 - Lesson Three: Fandom is Currency
9:23 - Lessong Four: Horror is Upbeat
11:25 - Legacy Characters

➧ BIBLIOGRAPHY & RELATED WORKS

Bhabha, Homi K. The Location of Culture. Routledge, 1994.

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1990.

Culler, Jonathan. On Deconstruction: Theory and Criticism After Structuralism. Cornell UP, 1982.

de Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. Yale UP, 1979.

Derrida, Jacques. Dissemination. Translated by Barbara Johnson, U of Chicago P, 1981.

---. Margins of Philosophy. Translated by Alan Bass, U of Chicago P, 1982.

---. Of Grammatology. Translated by Gayatri Chakravorty Spivak, Johns Hopkins UP, 1976.

---. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. Translated by Peggy Kamuf, Routledge, 1994.

---. Writing and Difference. Translated by Alan Bass, U of Chicago P, 1978.

Johnson, Barbara. The Critical Difference: Essays in the Contemporary Rhetoric of Reading. Johns Hopkins UP, 1980.

Spivak, Gayatri Chakravorty. "Can the Subaltern Speak?" Marxism and the Interpretation of Culture, edited by Cary Nelson and Lawrence Grossberg, U of Illinois P, 1988, pp. 271-313.

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