#surerkothon #bengaljukebox
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Rabindrasangeet to many takes on the role of a personal religion, a body of knowledge that is strengthening and nurturing in times of personal crises, encouraging and inspiring in moments of weakness, passionate in moments of romantic bliss, healing in moods of romantic despair. Tagore’s songs covering the entire gamut of human emotions were broadly divided by the poet among several thematic groups – love, devotional, seasons, occasion specific and dance-drama compositions. For Tagore, the beloved and the divine were often interchangeable and, as a consequence, his love songs and devotional songs often tend to overlap (The relevance of Tagore’s music today, by Reba Som, 2011).
Included in the Prem parjay, the deeply personal tenor of the verses in Anek katha bolechhilem tugs at the heart-strings. It speaks of wing`ed whispers, deep nights, dream-like musings, the fragrant clammy earth, and a deluge of memories.
Tania Mannan was coached in music by none other than the distinguished music exponent and teacher Waheedul Haque. Many opine that the hallmarks of Waheedul Haque’s mentor Sailajaranjan Majumdar’s style, is aptly reflected in Tania’s rendition of Tagore’s music. Her soft intonation, clarity, and deep immersion in the music, makes each song a gem, with perfect balance between lyrics, melody and rhythm. It is in this sense that singing Tagore’s songs is like reciting a prayer in a language that one can relate to and in a music which is soulful.
For more songs by Tania Mannan
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বেঙ্গল ফাউন্ডেশন তিন দশক ধরে বাংলা গানের সমৃদ্ধ ধারার পরিচর্যা করছে যা শ্রুতিমধুর প্রেরণাসঞ্চারী ও আনন্দদায়ী। এভাবে গড়ে উঠেছে আড়াই সহশ্রাধিক সৃজনশীল গানের সম্ভার । বাংলা গানকে জনপ্রিয় করার প্রয়াসে এই সংগ্রহ থেকে নির্বাচিত কিছু গানের দৃশ্যকল্প ধারন করা হয় ‘সুরের কথন’ শীর্ষক আয়োজনে, ২০০৮ সালে।
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