Janusz Wawrowski - violin
Warsaw Players
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Cycle of pieces from the opus 16 was written in 1885-1896 for New York Herald Magazine. Each piece is dedicated to one of Muses of the 19th century artists. Paderewski dedicated Melodie to Madame Marie Trélat, who hosted an extremely fashionable Friday evening salon in Paris, at 6, rue de Seine. Among her guests were such frequenters as Napoléon III. Fauré, Widor, Saint-Saëns, Massenet, Bizet, Gounod, Charles de Bériot, and Henri Duparc, alongside poets Renan, Sully Prudhomme, Hérédia and the academic painters Henner Bonnat and Carolus-Duran. And even more impressively, she was an excellent amateur singer. Fauré wrote, “she is a rare musician, although not a professional singer: and yet, she was the equal of many of the great divas of that last age, the age of bel canto. Supported by a technique which was her greatest asset, she possessed a very pure art, and enlightened awareness, and a deeply moving sensitivity.”
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