This video was made in response to requests to hear what a Fender 68 DRRI sounds like using drive pedals through both the custom and distortion channels. Mics used are a Shure SM57 and a Rode NT3.

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Product Information:

Pedals
The Crunch Box Distortion is our take on high gain British amp distortion. Careful multiple clipping architecture design and development has meant we have achieved our goal of creating a pedal which captures the huge crunch of a Marshall on steroids.

The standard in dynamic, touch-sensitive overdrive pedals. Cut through the mix with the incomparable Zendrive. Inspired by a legendary guitarist, the Zendrive delivers blues, country, jazz and fusion tones associated with some of the finest, most costly amplifiers in the market. Four knobs control the overall volume, gain, tone and voicing of the pedal. At lower settings, the pedal offers extremely light overdrive sounds reminiscent of tube amps set near the “sweet spot.” At higher settings, the Zendrive increases in gain and sustain, producing tasty overdrive and low distortion tones.

The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching. The FFM3 Jimi Hendrix Fuzz Face Mini Distortion has the same circuit as the JHF1 in smaller housing, delivering the thick, smooth Fuzz Face tone that Jimi Hendrix made famous in a pedalboard-friendly size.

The Boss DS-1 is truly a classic distortion pedal. It produces a distortion sound with a hard edge and is known to have a very low noise level compared to other distortion pedals. Many people swear that the older Japan made pedals sounds better than the newer ones made in Taiwan. The DS-1 has over the years been used by a lot of great guitar players. Steve Vai and Joe Satriani are just two of the players who has voiced their praise over this pedal. The DS-1 is also a favorite among modifiers. Keeley, Analogman and Stinkfoot all provide their own versions of this icon among distortion makers.

Official Fender Product Description:

1968 was a transitional year for Fender amps, with tone that was still pure Fender but a look that was brand new. With a silver-and-turquoise front panel and classy aluminum "drip edge" grille cloth trim, the Deluxe Reverb received a fresh new face as it remained the ideal recording and performing amp. Small, light and moderately powered, it produced big tube tone, with world-class Fender reverb and vibrato effects. For countless guitarists ever since, the Deluxe Reverb has been the go-to amp for classic Fender sound. The '68 Custom Deluxe Reverb Amp pays tribute to the classic look, sound and performance of Fender's late-'60s "silverface" amps. In a special twist, both channels boast reverb and tremolo, and the "custom" channel has a modified Bassman® tone stack that gives modern players greater tonal flexibility with pedals. The amp also features quicker gain onset and reduced negative feedback for greater touch sensitivity. The '68 Custom Deluxe Reverb's single 12" Celestion® G12V-70 speaker also delivers a more distinctively rock 'n' roll flavor.

The Fender Standard Telecaster (Made in Mexico)

The Fender Telecaster is a historic instrument with origins dating back to the dawn of solid-body electric guitars. Musicians love the Tele today just as much as they did back then, and it is one of most popular guitars of all time.

While it is most commonly associated with country music, blues and rock, the Telecaster can get the job done in just about any genre. Even heavy metal shredders have been known to employ modified Teles. There is really nothing this guitar can’t do.

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