The second movement of the Concord Sonata - with Ives' desired yet impossible overtones added artificially as opposed to the block-of-wood approach.
Pianist: Philip Eames
Overtone Recording: Chris Buckley

"Why can't music go out in the same way it comes in to a man, without having to crawl over a fence of sounds, thoraxes, catguts, wire, wood and brass? ... The instrument! -- there is music's limitation" - Charles Ives

Drawing: Ives Woodblock Sketch - Philip Eames

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