VALENTINO Spring 2020 Paris - Fashion Channel

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Pierpaolo Piccioli dedicated the whole opening section of the Valentino Spring show to white, sending out 12 looks of pristine variety.

“I wanted to work on something universal, to get back to the essence of shape and volume,” he said.

“So I worked on the idea of the white shirt, but treating it with a couture sensibility.”

These were hardly workaday basics, the idea ran from the wrap-over dress at the opening though meditations on huge, airy bishop sleeves; ruffles; mini shifts; shorts; transparency; and feathers.

It felt like a long gulp of fresh air and optimism centered on something known.

It hit a similar kind of note to that which Jonathan Anderson had sounded at Loewe with his laundered linens.

Something of the aesthetics of the Renaissance came through here and there.

Even though Piccioli said there was no deliberate religious or historic referencing, the starched bibs, shirt collars, billowing sleeves, and ruffs at times configured as visions of nuns or medieval page boys.

Maybe that just happens when you’re an Italian working in Rome.


Credit: Courtesy Valentino


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