Although it’s called hard light, the edges of the shadows are hard. But why would you want shadows with crisp edges for a studio portrait?
In this video, photographer Gavin Hoey explains how and why hard light can look amazing in a cinematic style. Nothing combines those two features better than the classic Film Noir lighting look.
Gavin starts by casting a shadow on his model using a set of Venetian blinds. He shows that hard light comes in different looks, which can be controlled simply by adapting the size of the Speedlight using modifiers such as a dome diffuser or a snoot.
Next, Gavin shows another property of hard light. Hard light might be just the ticket if you want the ultimate sharp-looking images. Finally, Gavin takes the process further by introducing cinematic styling and his trademark smoke into the scene.
Timestamps and Chapters
0:00 Intro
0:43 Why use a speedlight for hard light?
2:01 Create sharper shadows with a Speedlight
2:49 Camera settings for the film noir photo session
3:30 Photo Session with a speedlight and snoot
4:25 Using hard light to improve sharpness and texture
5:50 Adding a separation/background flash
6:18 Photo session textured black fabric curtains
7:02 Lighting a film noir cinematic set
8:19 Film Noir photo session with studio smoke
9:12 Conclusions and Subscribe
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✘ GEAR USED:
Flashpoint Zoom Li-on X PRO Speedlight
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Flashpoint Zoom Li-on III R2 TTL Speedlight
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Sony Alpha a7RV
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Sony FE 24-70mm f/2.8 GM II Lens
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Flashpoint Round Head Flash Accessory Kit
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SmokeNINJA Smoke Machine
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Flashpoint 10’ C-Stand and Grip Arm
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Glow S2 Round Flash S-type Bowens Mount Bracket
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Flashpoint R2 Nano Touchscreen TTL Wireless Flash Trigger
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#cinematicphotography #hardlight #offcameraflash
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Model: Chloe Kerley
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