THE NIGHT-SIDE OF NATURE, OR, GHOSTS AND GHOST SEARS.....
The stories centre on dreams, psychic presentiments, traces, wraiths, doppelgängers, apparitions, and imaginings of the after-life. Crowe's vivid tales, written with great energy and imagination, are classic examples of nineteenth-century spiritualist writing and strongly influenced other authors as well as providing inspiration for later adherents of ghost-seeing and psychic culture.
AUTHOR BIOGRAPHY.....
Catherine Ann Crowe, née Stevens (September 20, 1803 – June 14, 1876) was an English novelist, collector and writer of spirit stories, and playwright, who also wrote for children. Catherine Ann Stevens was born in Borough Green, Kent, England. She was educated at home, spending most of her childhood in Kent. She married an army officer, Major John Crowe (1783–1860). They had a son, John William (born 1823), but the marriage was an unhappy one, and when she met Sydney Smith and his family at Clifton, Bristol in 1828, she asked them for their help. Little is known about the next few years, but by 1838 she was separated from her husband, living in Edinburgh, and had made the acquaintance of several writers, including the impecunious Thomas de Quincey of Edinburgh, and Harriet Martineau and William Makepeace Thackeray of London. Smith was also an encouragement to her in her writing. Her success waned somewhat in the later 1850s and she sold her copyrights in 1861. After 1852, she lived mainly in London and abroad, but she moved to Folkestone in 1871, where she died the following year.
Crowe's two plays, the verse tragedy Aristodemus (1838) and the melodrama The Cruel Kindness (1853) both had historical themes paralleling her own family problems. Both were published and the second also had a short run in London in 1853. The book that established Crowe as a novelist was The Adventures of Susan Hopley (1841). It was followed by Men and Women (1844), the well-received The Story of Lily Dawson (1847), The Adventures of a Beauty (1852), and Linny Lockwood (1854). Though set in middle class life, they had complicated, sensational plots, while also commenting on the predicaments of Victorian women brought up in seclusion to be mistreated by those men who did not subscribe to standards of decent behaviour. This aspect of her writing was emphasised particularly by later women writers in an appreciation in Women Novelists of Queen Victoria's Reign (1897). Susan Hopley was reprinted many times, and to her annoyance, dramatised and turned into a penny serial. Her stories were also in demand from periodicals such as the weekly Chambers' Edinburgh Journal and Dickens's Household Words.
The play Susan Hopley; or, The Vicissitudes of a Servant Girl, adapted from Crowe's novel by George Dibdin Pitt, opened at the Royal Victoria Theatre in 1841 and became a long running success. By 1849, it had been performed three hundred and forty three times. Crowe turned increasingly to supernatural subjects, inspired by German writers. Her collection The Night-side of Nature (1848) became her most popular work and was reprinted as recently as 2000. It was translated into German and French, and is said to have influenced the views of Charles Baudelaire. Her own involvement in such matters came to a bizarre culmination in February 1854, when she was discovered naked in Edinburgh one night, convinced that spirits had rendered her invisible. She was treated for mental illness and recovered. Two of her ghost stories reappeared in Victorian Ghost Stories (1936), edited by Montague Summers. Crowe also wrote a number of books for children, including versions of Uncle Tom's Cabin for young readers, Pippie's Warning; or, Mind Your Temper (1848), The Story of Arthur Hunter and his First Shilling (1861) and The Adventures of a Monkey (1862).
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