Some roles require a microphone that has both a main AND a backup due to their costume, the amount of time they spend on stage or other reasons unique to every show.
Today I'm running you through how I put together what I call a 'double rig" for a lead cast member in a musical. My method this time is just a combination of tricks I have learnt from other mic techs, lessons my own experiences and following the specifications of the sound design given to me.

Leave YOUR tips or questions below, or head to the discord where we can have a larger chat about mic building with the whole community!

Filmed on Gadigal land.

Some other videos you may enjoy:
🌹 Phantom of the Opera videos:
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☂️ Mary Poppins videos:
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⚡️ Freelancing vlogs:
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🎤 Industry tips, Q&A's and chatty content:
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✨ I am a live Entertainment Tech working in Australian Theatre, Cabaret, Music, Burlesque, Circus and Comedy.

⭐️ In the last two years I have worked on Hamilton Australia, Phantom of the Opera outdoors on Sydney Harbour, Come From Away Australia, Mary Poppins Australia and toured Phantom of the Opera Australia while freelancing all over the country. Currently I am the Radio Mic Tech on Tina: The Tina Turner Musical Australian Tour

📸 To stay up to date with my weeks/jobs follow me on instagram @moniquetech:
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💿  Head to the Discord to join the community:
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💻 To chat about my services head to my website:
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