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The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps.

We explore the Stage 73 from Arturia, a recreation of the classic Rhodes Stage and Suitcase electric pianos from the 1970s. We look at the various models, parameters and effects that allow us to create both the sounds of the originals as well is push the boundaries into more experimental territory with this modeling synthesizer.

"The Stage-73 uses our award-winning modeling technology to faithfully reproduce the tine-based sound and playing experience of the most loved electric pianos of all time. We modeled both the Fender Rhodes Suitcase Piano and Stage Piano—including separate 1973 and 1974 models of the Stage in order to capture the difference in their components. We’re talking total sonic and aesthetic fidelity to the originals. You can even easily pop the top and customize the various mechanical components to make your instrument unique. Classic amps and an array of effect pedals round out the virtual electric piano you’ve always dreamed of having."

Stage-73 V combines an unmatched physical modeling engine, an authentic pedal & amp rig, and advanced tonal customisations for unprecedented levels of soulful Rhodes realism.

A sound that’s always in style

Whether you’re playing yesterday’s hits or making tomorrow’s, the sound of Stage-73 V2 is a true player in its own right. The venerable sound of the Fender Rhodes simply refuses to go out of style.
With a tonal range spanning smooth bell-like qualities to an aggressive bark depending upon how hard they’re played, these seminal keyboards have been in continual use across just about every style imaginable right through to today - this instrument’s story is still being told.

After World War II, Harold Rhodes began to work on an electromechanical design for a small, affordable alternative to the piano for bedridden veterans. His company was purchased by Fender, a brand later bought by CBS. Rhodes’ design evolved in the Suitcase Piano in the mid ‘60s, which gained popularity amongst gigging keyboardists since it was a lot lighter and easier to maintain than a traditional piano. The 1970 release of the Stage Piano Mark 1 left off the speaker and amp for an even more portable solution that was often paired with a guitar amp—yielding different additional tonal character. The company experimented with various hammer compositions over the years, and 1974 saw a change in the Stage electronics—all of which changed the sound enough to inspire us to include these variations in our models.

Compared to the competing Wurlitzers, the Rhodes featured a longer keyboard, rounder sound, wider dynamic range and longer sustain. As a result, it was first embraced by demanding jazz keyboardists, becoming a key driver in the jazz fusion sound in the hands of talents like Herbie Hancock, Chick Corea, Jan Hammer, and Joe Zawinul. The Doors’ vibrato-drenched “Riders on the Storm” introduced the Rhodes to the pop-rock world, followed over the next decades by hits like The Beatles’ “Get Back”, Steely Dan’s “Peg” and the Doobie’s “Minute by Minute”. Along the way, Billy Joel, Stevie Wonder, The Eagles and others landed top-charting ballads with the Rhodes’ smooth sound, causing it to become almost obligatory on pop love songs through to the present.

Main Features
Physical Modeling Engine (no samples)
Stage and Suitcase models
Stage model features
Fender Rhodes™ Stage 73 1973 and earlier (Tone)
Fender Rhodes™ Stage 73 1974 and later (Bass Boost)
Suitcase model features:
Bass and treble EQ models
Stereo Vibrato with speed and intensity controls
Modeled preamp of the Suitcase amp
Variety of EP Profiles to choose from reflecting the range of voicing possible.
Dedicated effects pedal board:
4 slots with a selection of 13 different effects
1 amplifier simulator (Fender Twin or Leslie)
1 room ambiance
Advanced mode for editing the model itself:L
Velocity curve editor
Model selection
Tuning
Hammer hardness
Output selection
Pickup distance
Pickup alignment
Damper duration
Noise Gate
Pickup Noise
Tine Noise
Damper Noise
Dynamics
Tone bar resonance
More than 50 presets

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