Behind the Face of a Rock, Throwing Stones is a new dance performance centred upon an experiential understanding and knowledge of British Sign Language, D/deaf culture, Japanese culture and Butoh.
Developed through a process of enquiry and choreographic research, the piece brings together an exploration of language, sensation, contemplation, physical expression through movement and wearable technology, and is adaptive to the social and architectural environments in which it is performed.
The dancers will perform with Subpacs, wearable technology that translates sound into vibrations. Their work with Subpac is about improving accessibility and creating an environment that is equally shared. All dancers included in the performance, both D/deaf and hearing, wear a Subpac to promote a unified relationship to sound, movement and the performed choreography. A number of Subpacs will also be available for the audience to try, whether D/deaf or hearing.
Central to the piece is the Japanese word Ma (間), which can be translated as a gap, pause or interval. In developing the work, the group physically interpreted the possibilities of Ma, producing an assertive series of gestures, postures and settlements of physical contact. Behind the Face of a Rock, Throwing Stones proposes the use of the entire body as a listening instrument, capable of feeling, touching and seeing the colours and textures of sound and silence in space.
The Hepworth Wakefield provides a unique context for this iteration of the performance, which responds to both the interior architecture of the space and ideas of space and silence within the sculptures of Barbara Hepworth.
