Cinema documentary audiences have been growing inexorably - especially those with an appetite for the arts. Digital technology has facilitated a new wave of cinema programming, whereas prime time TV slots for feature length documentaries remain few and far between. But what makes a cinema documentary film as opposed to a television programme? What are the opportunities and challenges artistically, financially and technically in creating documentaries for the big screen and how do the broadcasters fit in to this wider landscape? Who are the winners in the Cinema-TV Crossover?

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