Most organists will know that Dietrich Buxtehude was one of the renowned improvisers and composers of his time. He took the North German organ tradition to new levels of virtuosity and structure. The previously Italian-influenced models of Fantasias, Preludes and Toccatas became less rigid under Buxtehude, who still used their multi-sectional structure but in novel ways. Buxtehude continued to construct his music in the same manner as Froberger, taking a small phrase and building upon it until he was satisfied enough to move on.

This Praeludium in D Major is a good example of this style – free and virtuosic at times, with a measured and pleasant fugue within. But there's really no need to get analytical about it: just close your eyes and enjoy the music!

Played on the 1999 Létourneau organ at St Mary's Cathedral, Sydney.

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