I created the video, and i own all of it contains, the audio from Egyptian Folklore ceremony or marriage party from unknown artist in public domain and it doesn't exist in all YouTube videos except in my channel.


The tabla is a South Asian membranophone percussion instrument consisting of a pair of drums, used in traditional, classical, popular and folk music. It has been a particularly important instrument in Hindustani classical music since the 18th century, and remains in use in India, Pakistan, Afghanistan, Nepal, Bangladesh, and Sri Lanka.[2] The name tabla likely comes from tabl, the Persian and Arabic word for drum. However, the ultimate origin of the musical instrument is contested by scholars, some tracing it to West Asia, others tracing it to the evolution of indigenous musical instruments of the Indian subcontinent.

The tabla consists of two single headed, barrel shaped small drums of slightly different size and shapes: daya also called dahina meaning right, and baya also called bahina meaning left.[2][5] The daya tabla is played by the musician's right hand (dominant hand), and is about 15 centimetres (~6 in) in diameter and 25 centimetres (~10 in) high. The baya tabla is a bit bigger and deep kettledrum shaped, about 20 centimetres (~8 in) in diameter and 25 centimetres (~10 in) in height. Each is made of hollowed out wood or clay or brass, the daya drum laced with hoops, thongs and wooden dowels on its sides. The dowels and hoops are used to tighten the tension of the membrane. The daya is tuned to the ground note of the raga called Sa (tonic in Western music).[2][6] The baya construction and tuning is about a fifth to an octave below that of the daya drum. The musician uses his hand's heel pressure to change the pitch and tone colour of each drum during a performance.

The playing technique is complex and involves extensive use of the fingers and palms in various configurations to create a wide variety of different sounds and rhythms, reflected in mnemonic syllables (bol). In the Hindustani style tabla is played in two ways: band bol and khula bol. In the sense of classical music it is termed "tali" and "khali". It is one of the main qawali instrument used by Sufi musicians of Bangladesh, Pakistan and India.[7] The tabla is also an important instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during bhajan and kirtan singing

The tabla (Hindi: तबला, Bengali: তবলা, Urdu: طبلہ}, tablā from Arabic: طبل، طبلة, tabl, tabla) is an Indian drum used for North Indian Music. The tabla invention is found in India. It is also used for classical, popular and devotional music of Pakistan. The instrument is two hand drums of different size and shape,

The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, tablah, toumperleki or zerbaghali,[1] Arabic: دربوكة / ALA-LC: darbūkah) is a single head membranophone with a goblet shaped body used mostly in the Middle East, North Africa, South Asia, and Eastern Europe.[2] The African djembe-wassolou is also a goblet membranophone. This article focuses on the Eastern and North-African goblet drum.

The Eastern and North-African goblet drums are played under the arm or resting on the player's leg, with a much lighter touch and quite different strokes (sometimes including rolls or quick rhythms articulated with the fingertips) to hand drums such as the djembe, found in West Africa.

There are two main types of goblet drums. The Egyptian style has rounded edges around the head, whereas the Turkish style exposes the edge of the head. The exposed edge allows closer access to the head so finger-snapping techniques can be done, but the hard edge discourages the rapid rolls possible with the Egyptian style.

The goblet drum may be played while held under one arm (usually the non-dominant arm) or by placing it sideways upon the lap (with the head towards the player's knees) while seated.

There are three main sounds produced by the goblet drum. The first is called the "doum". It is the deeper bass sound produced by striking the head near the center with the length of the fingers and palm and taking off the hand for an open sound. The second is called the "tek" and is the higher-pitched sound produced by hitting near the edge of the head with the fingertips. A 'tek' struck with the secondary hand is also known as a "ka". The third is the closed sound 'pa', resting rapidly the hand on the head to not permit an open sound. Additionally, there are more complex techniques including snaps, slaps, pops and rolls that are used to ornament the basic rhythm. Hand clapping and hitting the sides of the drum can be used in addition to drumhead sounds.


doum, tek, pa, snaps, slaps, pops

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