Eazy-E - Real Muthaphuckkin G's [Feat. Gangsta Dresta & BG Knocc Out]
Eazy-E - Real Muthaphuckkin G's [Explicit Version]
Eazy-E - Real Muthaphuckkin G's [Feat. Gangsta Dresta & BG Knocc Out] [Uncensored] [Extended Version] [Remastered In 8K] (Official Music Video)
Director Marty Thomas

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Real Muthaphuckkin' G's · Eazy-E

It's On (Dr. Dre) 187um Killa

℗ 1993 Ruthless Records

Released on: 1993-11-05

Producer: Rhythm D
Composer: Arlandis T. Hinton
Composer: David C. Weldon
Composer: Andre Wicker
Composer: Eric Wright
Music Publisher: Copyright Control

Auto-generated by YouTube.

"Real Muthaphuckkin G's," or "Real Compton City G's" in its radio edit, is a song released in August 1993 by American rapper Eazy-E with guest rappers Gangsta Dresta and BG Knocc Out. Peaking at #42 on Billboard's Hot 100, and the most successful of Eazy's singles as a solo artist, it led an EP, also his most successful, It's On (Dr. Dre) 187um Killa. This diss track answers Eazy's former N.W.A bandmate Dr. Dre and his debuting, guest rapper Snoop Dogg, who had dissed Eazy on Dre's first solo album, The Chronic.

Dresta wrote his own verses and ghostwrote Eazy-E's verses. B.G. Knocc Out wrote his own verses.

In 1991, Dr. Dre left N.W.A and, with Suge Knight, launched Death Row Records. It released Dre's The Chronic, which in 1993 broke gangsta rap onto pop radio. On the album, Dre and guest rapper Snoop Doggy Dogg, a star on the rise at the time, diss Eazy-E in skits, in the single "Fuck wit Dre Day" plus its music video, and, closing the album, in the hidden track "Bitches Ain't Shit."

To seize the moment, Eazy planned an EP, shorter than an album. Its lead single originally slated was "It's On." But an Eazy associate got word of two halfbrothers, both Nutty Blocc Compton Crips, who rapped. Recently released from several years of youth incarceration, Dresta had forged his rap skill through activities inside, whereby his reputation preceded him onto the streets.

Visiting the brothers' house, Eazy's associate found Dresta and took him to the studio, where Eazy told him tales of Dre. Dresta, thereby forming the song concept, wrote all the lyrics for an Eazy and Dresta duet. Yet the next day, Dresta brought to the studio his brother Knocc Out, who, improvising it on the spot, added a verse. And so Eazy's leading answer to Dre became "Real Muthaphuckkin G's.

The three "Real Muthaphukkin G's" rappers, claiming gangster authenticity, mock Dre and Snoop as "studio gangstas." Also disputing Dre's masculinity, Eazy alludes to Dre's androgynous styling, by attire and makeup, in the 1980s DJ crew World Class Wreckin' Cru, which, in line with Los Angeles county's hip hop scene until N.W.A, was also an electro rap group, occasionally donning glitzy styling. In the process, Eazy briefly disses Snoop as an "anorexic rapper" who weighs "60 pounds" when "wet and wearing boots."

Back to Dre, Eazy disparages the sentiment that beating a woman makes one a man, as Dre's assault of TV personality Dee Barnes was highly publicized. Further, Eazy refers to the single "Fuck wit Dre Day" as "Eazy's pay day." Dre's contract with Eazy's label, Ruthless Records, left Eazy profiting from Dre's earnings through Death Row. Finally, claiming rumors that Death Row is Dre's "boot camp," Eazy calls its CEO, Suge Knight, widely known for strongarm tactics in the music business, Dr. Dre's "sergeant."

The music video, written and directed by Eazy-E's longtime Ruthless video director Marty Thomas, was shot in Compton, California. It opens with aerial shots of Compton streets and scenes of lowriders, gangsters, and the metro Blue Line. There are numerous cameo appearances: Kokane, Rhythm D, Cold 187um, Dirty Red, Krazy Dee, Steffon, H.W.A., DJ Slip from Compton's Most Wanted, Young Hoggs, Blood of Abraham, K9 Compton, and Tony-A.

Once Eazy-E, on camera, raps, "All of a sudden, Dr. Dre is the G thang / But on his old album covers, he was a she-thang," shown is a photo of Dre on a World Class Wreckin' Cru album cover, predating N.W.A, wearing a white, sequined jumpsuit and detectable makeup. Related cover photos appear several times during the video. On the other hand, nearly closing the video, in Eazy's hand, artificially blurred out, is perhaps a pistol while he alleges that if disobedient, Dre would get popped by Suge Knight's Smith & Wesson.

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