Tuning can start to seem a bit more confusing when you start working with a drum that has a different number of lugs then you’re used to. Whether it’s a 5, 6, 8, 10, or even a 23-lug drum, we’ll help you make sense of the process while also highlighting some of the often misunderstood benefits of different ends of the spectrum.
PATREON:
This season is made possible by our Patreon supporters. Join us on Patreon for access to exclusive content such as Cymbal Sounds, our long awaited cymbal series, and MUCH more: [ Ссылка ]
PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): [ Ссылка ]
AKG Audio (microphones): [ Ссылка ]
Evans Drumheads: [ Ссылка ]
ProMark Drumsticks: [ Ссылка ]
Signal chain:
Mics - Focusrite Clarett 8Pre USB- Mac Studio w/Pro Tools 2022.5
Recorded at 48kHz / 24bit
Microphones: Pair of AKG C314 in Recorderman Configuration [ Ссылка ]
Toms: AKG C518M [ Ссылка ]
Kick Drum: AKG D12VR [ Ссылка ]
Snare Drum: Lauten Snare Mic
Acoustic Treatment:
GIK 242 Acoustic Panels: [ Ссылка ]
GIK 4A Alpha Pro Series Diffusor/Absorber: [ Ссылка ]
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber: [ Ссылка ]
GIK Tri-Trap Corner Bass Trap: [ Ссылка ]
Drums:
Pearl Masters Maple Custom Extra w/60’s Ludwig Acrolite
Cymbals:
22” Jesse Simpson clone of old Zildjian A, 15" Zildjian Kerope Hihats
Drumheads:
Snare: Evans G12 coated / Snare Side 300
Snare Wires: PureSound Custom Pro Steel 20-strand
Toms: N/A
Kick Drum: Evans UV EQ4/ EQ3 Coated White Reso
Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media
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Sounds Like a Drum is a CADENCE INDEPENDENT MEDIA production
For more information, visit www.cadenceindependent.com
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