One of the most common uses for PowerMesh is to help drive splines for rotoscoping. We continue with our previous project, but begin to create new shapes to use as masks. In this two part exercise, we will be rotoscoping a bird from start to finish. Setting up PowerMesh for rotoscoping is similar to what we have already done. This exercise highlights the small changes to look out for, and how this type of roto technique differs from the one we used earlier in the course.
We will cover what frame to start on for warped splines, which tends to be the same sorts of frames you want to start your planar track on, largest in frame, most parallel to the camera, and least blurry frames. And we will cover some things to look for when you are working with a Warped Spline. At the end of this exercise, you'll be ready to tackle the more complex roto in the second installment.
Chapter List
00:00 Start
00:50 What frame to start on for warped splines
01:16 How rotoscoping with PowerMesh is different than traditional roto
04:40 Things to look for with a Warped Spline
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