Our human brain is constantly learning and evolving, so are machines with artificial intelligence, as we program them like our human brain. Why is the human brain the example for artificial intelligence? Is artificial intelligence the better human brain? A documentary about our human brain and the power of artificial intelligence.
The human brain is perhaps the most magical element we know. We are trying to build that brain. But in order to do that, you need to know exactly how it works. How do we create robots that truly understand people's feelings? How do we combine the signals of all our senses into one experience? How is the world going to change through the new levels of Artificial Intelligence?
Robot-emotion-illusionist Pascale Fung believes that for a beautiful future, it's essential that machines and people understand each other. Therefore, she programs robots with strong empathic ability. Robots with heart and soul. She is pioneering a whole new field of social robotics.
Charles Spence is an experimental psychologist. He investigates how our senses (light, sound, smell, taste, touch) work together to form one experience that we feel as “reality”. But if you know how it works, that experience is easy to manipulate, changing our perception of things like taste or pain.
Artificial intelligence improver Yoshua Bengio is now one of the top researchers in artificial intelligence and deep learning. Bengio thinks deeply about the way the human brain works, and how a similar approach can be used to make computers smarter.
The Mind of the Universe is an international science documentary series and open source platform about the rapid evolution of our knowledge. It explores the human destiny and the world of tomorrow through the eyes of the greatest thinkers and scientists of our time. In each episode, a typical human quality takes centre stage, in which the scientists and their research are embedded.
Original title: The illusionist
Originally broadcasted by VPRO in 2017.
© VPRO Backlight June 2017
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Credits:
Presented by: Robbert Dijkgraaf
Editor in chief and script: Rob van Hattum
Direction & Editor: Kees Brouwer, Gijs Swantee, Sander Cijsouw
Research: Frederique Melman, Remy van den Brand, Anna Gimbrere, Wiesje Kuijpers, Gerko Wessel
Production: Madeleine Somer, Jordy van Langen (stage), May-Linn Tsiang (stage)
Cross Media Manager: Eef Grob
Camera: Chris Blokhuis, Hans Bouma, Martijn Cousijn, Jacko van ’t Hof, Job Kraaijeveld, Sjoerd Vogel, Karsten Hohmann
Sound: Daan Arens, Dennis Kersten, Jillis Schriel, Mark Witte,Gregor Koppenburg, Bidisha Das, Pedro Rodriques da Silva
Translation: Lei Fang, Sasja Yakovleva, Alexandra de Vries
Script editing: Caroline Ligthart
Editing: Jeroen van den Berk, Sander Cijsouw, Tim van der Maden, Olivier van der Zee
Design: Jurriaan Schalken
Composition: Jos Jansen (Big Orange)
International partners and Education: Fred Mulder
In cooperation with: Tijl van Huijkelom
English, French and Spanish subtitles: Ericsson.
French and Spanish subtitles are co-funded by European Union.
