"Sunshine of Your Love" is a 1967 song by the British rock band Cream, written by Jack Bruce, Pete Brown and Eric Clapton. It was originally released on the album Disraeli Gears in November 1967, and was later released as a single in January 1968. It is Cream's only gold-selling single in the United States. It features a distinctive electric/bass guitar riff and a guitar solo from Clapton.
Development of the song began when Bruce and Clapton attended The Jimi Hendrix Experience show at the Saville Theatre in London. After the concert, Bruce returned home and wrote the riff that runs throughout the song. Most of the lyrics to "Sunshine of Your Love" were written during an all-night creative session between Bruce and Brown, a poet who worked with the band: "I picked up my double bass and played the riff. Pete looked out the window and the sun was coming up. He wrote 'It's getting near dawn and lights close their tired eyes...Clapton later wrote the song's bridge which also yielded the song's title.
Clapton's guitar tone on the song is created using his 1964 Gibson SG guitar (the famous "Fool" guitar) through a wah-wah pedal and a Marshall amplifier. The song is renowned among guitarists as perhaps the best example of his legendary late-1960s "woman tone", a thick yet articulate sound that many have tried to emulate. For the solo, Clapton played the opening lines from the pop standard "Blue Moon", creating a contrast between the sun and the moon.
Drummer Ginger Baker came up with the song's tempo, which was based on African drumming. Engineer Tom Dowd later claimed to have suggested the drum part, but Baker insists that he was indeed the one who came up with the drum pattern and didn't receive writing credit: "not even a thank you!"
The drumming on the first two verses emphasises beats one and three, contrary to rock and roll standard practice, which emphasises beats two and four.
Cream's American record label, Atlantic, did not like the song originally and was not going to release it, but changed their mind when Booker T. Jones (of Booker T. & the M.G.'s, whose Stax label was at the time distributed by Atlantic) said he liked the song. The 1970s disco and funk band Chic while also signed to Atlantic Records, during the birth of their classic hit single "Le Freak," were inspired by the song.
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